H2O September 22. 2008
Hey all.
I don't know that I believe in astrology as anything other than a form of entertainment, but my sign is Pisces and I really do love water. I grew up in the Midwest and didn't get to spend too much time near any great bodies of water, but whenever I'm near a lake or a river or even the rain, I feel right. I get relaxed and chill and my mood instantly improves. Partly, this is why I was going to attend school in Seattle.
I like to think that the best photos I've ever taken have all been done to illustrate things that I love. Taking pictures matters more to me when I'm taking pictures of something I want to share, something I want to remember, something I want to capture. For me, it's all about combining that jolt I get from photography with the energy I get from what matters to me. Pairs of combined loves. Photography & Music. Photography & Color. Photography & Nature. Photography & Water.
Anyway, enough rambling. Here are some of the photos I've taken of water that I like the best. (I thought this was a fitting entry for our hottest day of the summer thus far...102 degrees, blech)
Woman Lake, MN - film
Folly Beach, Charleston, SC - digital, selective coloring set to blue
Washington State shore - digital, shot underexposed and then corrected with levels
Woman Lake, MN - digital, shot on fluorescent
Woman Lake, MN - digital, shot on fluorescent
Folly Beach, Charleston, SC - digital
Greenwood Park, Des Moines, IA - film
Folly Beach, Charleston, SC - digital
Folly Beach, Charleston, SC - digital
Folly Beach, Charleston, SC - digital
Self-Portraits September 19. 2008
I know this looks like two blogs in one week from me, but don't worry - I'm not trying to overacheive, just catch up! 
So I decided that for this entry, I'm going to write about self-portraiture. As you can tell from most of the photos I've posted here so far, I didn't exactly get my start in portrait photography. It's always felt more natural for me to photograph nature, animals, and still objects. People are harder to control. But when I decided I wanted to have photography as my career, I knew I needed to become more proficient in portraiture. When I first started out taking shots with models in them, I used my friends, my parents, people I knew. And that was ok, but still difficult. After a while, it came to me. I needed to know how to take pictures of people, right? So why didn't I put myself in the model's shoes for a while? I started experimenting with self-portraiture, but I didn't spend too much time on it. Eventually, through the photo-sharing website Flickr, I heard about the 365 project. The terms of this project are simple - take a picture a day for a whole year. Hence the '365.' Most of the people I saw working on a '365' were shooting all of their photos as self-portraits, and I decided to give it a try. What better way to gain experience than to make practicing a habit?
Anyway, I ended up stopping my '365' after Day 90 due to a few complications, but here are some of my favorite shots from those first 90 days.
^ Day One - A last minute, 11:45 PM shot...with, obviously, whatever I found laying around. No timer, just hand-held. ^
Day Ten - Taken at Musician's Supply while I was waiting for my boyfriend to get through with work. Loved the fog...this was two exposures, with and without me, put together in Photoshop. First shot was hand-held, second with a timer.
Day Twenty-Four - This one's a little scary. I call it "Bionic Tess," haha. The little silver ball is actually the top to a pepper grinder. This shot was taken on macro, hand-held.
Day Thirty-Nine - Another double exposure, this time both on a timer. They were both shot at the same angle and then one was flipped. I erased the half without me in each picture and then blended the layers together. It was shot on a fluorescent white balance, which gives it that blue look.
Day Forty-Four - A triple exposure. Same methods to put it together, but a different effect entirely. The sharp shades of blue are left there intentionally...I just like the way it looks.
Day Forty-Six - Another double exposure, this time done a little differently. I had a tripod to use with my self timer, so I was able to line my shots up a little better. I took the two images into Photoshop, combined them, set the top layer to multiply, and erased around my edges. Can you tell I went through a "blue phase?"
Day Fifty-Eight - I love this picture. Self-timer, some slight touch-ups in Photoshop. I was actually laying down on a black rug - simply had to use Levels to get this effect.
Day Seventy - A slight throwback to the "blue phase," this was taken in front of my bathroom window. I didn't use any lighting except what was already provided by nature, and I think that's what makes this photo so cool in my eyes. The cross-lighting is just perfect to illuminate my face. Love it.
^ Day Eighty-One - I guess I was hungry! Taken on self-timer...it took a few tries to get this one right. ^
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Anyway, as I hope you can tell, I did learn a lot from my ninety days of self-portraiture, even if I got too busy to finish out the full 365. I feel more comfortable taking pictures with models now, and I tend to think a whole lot more 'out of the box' when posing people.
USMC Mud Run September 17. 2008
Derelict Beauty September 16. 2008
I left off at around middle school age, so that's where I'll pick it up.
Eighth grade, for me, was about the same as all the grades before it. It was the same school that I'd been in for the previous two years, and I already knew all the teachers from seeing them around. The subject matter we were learning was basically the same. The most boring thing of all, for me, was art class. The only art teacher at the middle school, Mr. Martin, was...awful. He was the most bland teacher I've ever had, even to this day. I think he was HIRED as the wrestling coach and then picked up the art classes so he'd have something else to do. Needless to say, he didn't do a whole lot of inspiring my creativity. That, I had to do on my own.
It was the summer after eighth grade that I began to truly become a photographer. I realized that high school was coming, and that meant I'd have a lot more freedom as well as a lot more specialised instruction. I'd seen the work my brother had done in high school art and I was anxious to start my own portfolio. I started a tradition with myself - around once a week, I took photo trips. They were nothing big - I couldn't drive yet, so I'd just walk to areas around my house. And it's not like I had some expensive camera, or anything - I still had that Nikon EM from my mother. But these photo trips got me going. I would shoot roll after roll of film and then spend all the money I had on getting them developed.
I remember one trip in particular really well. It was towards the start of my photo trips, but it was a successful one all the same. I started off early that morning, walking straight from my house with camera hanging from shoulder and film cannisters making my pockets bulge. When I took these trips, I never really had a destination. My goal was to find something new, not just shoot something I already knew about. This particular morning, I headed north. My parents' house was about three blocks from the town square, so it didn't take long for me to reach the park. I halfheartedly shot off a few frames but I couldn't seem to find anything inspiring. I sat down on a bench and started gazing around. Seventh Avenue, all the shops, the restaurants - it was nothing I hadn't seen before. None of it was anything I hadn't seen before. I'd lived there my entire life. But with time, everything changes into something new, and as I continued to swing my gaze around, I noticed the post office. Boring little brick building, the Marion Post Office. But as things do, this thing had changed. The town had built a new building at the edge of our growing town to better house the business, and the old one was sitting here in front of me, abandoned. I got up from my bench and started to walk towards it. This was it, I felt my fingertips start to tingle. After walking around the building once, peering through the windows, I found a way in. I had to crawl through a small window in the back, and drop to the floor. When I landed, I checked my camera...and started shooting. I found frame after frame of interesting subject matter. Only a post office...turned into something beautiful. I exhausted a few rolls of film and paused, only to hear my stomach grumbling. I decided I better solve that problem, and crawled back out the window to head towards home. I was dusting the dirt off my shorts when I looked up and saw something else beautiful. A block or two away, the town had bought all the properties to build a new city hall. Construction workers were in the process of tearing down all the old buildings to make way for the new one.
But there was one left standing. I started to walk towards it, feeling that tingle and forgetting my stomach. The block was enclosed in a chain link fence and there were construction workers milling about, so I didn't sneak inside - but I got one single gorgeous picture. This gigantic brick house, overgrown and abandoned, empty windows and derelict edges. Beautiful.
When I got this roll of film back from Hall's and saw this shot, I knew. Capturing the beauty, this was what I wanted to do, every day, my entire life. I was a photographer. And my career hadn't even begun.
Chica Tikka May 28. 2008
My name is Tess Eva Anderson. I'm eighteen years old and I recently moved from my life-long home in Marion, Iowa, to live with my best friend in Columbia, South Carolina - a journey totaling one thousand and fourteen miles. That's real far.
I've been taking pictures my entire life. When I was a toddler, my dad would give me free rein over my mother's clunky Nikon EM 35mm camera. I didn't know what the hell I was doing but I did know that I loved playing with the camera. When my parents developed the film, they would find some pretty terrible pictures. But I was learning. My love for my mother's camera drove her to begin buying me cameras of my own. At first, she would conserve money and stress by only buying disposable cameras, but by the time I was old enough to wrap my hands around a more 'real' camera, I got something I could really work with. I went through a lot of cameras before third grade, and really have no memory of each individual one until then. In third grade, however, my mother, brother, and I prepared to go on a trip to Albuquerque, New Mexico. It was to be the first time I'd ever been out of the state to go anywhere other than Minnesota, and I got to have my first airplane ride. For this trip, I bought myself a shiny new Pentax. It was nothing more than a black, plastic-bodied point & shoot, but I loved it and babied it all the same. I used that camera for years, and in fact, I still have it. I also kept the photos I shot on the trip to Albuquerque, though none of them are really notable.
By the time I reached middle school, I was officially "into" photography. I made a small leap from $30 point & shoot cameras to SLRs. The first SLR I used seriously was also the first camera I'd ever used - that clunky Nikon EM that my mother had used through college. I adopted it and began to take it everywhere I went. I nicknamed her "Chica Tikka," or my third eye. I took pictures of eeeeverything. I think my entire conscious life has been documented, thanks to this habit of mine. In seventh grade, I went away to a week of summer camp and got to develop my own film for the first time. That really got me going. From then on, all I wanted was to take pictures.
I'm going to leave off this time by showing a few of the first pictures that I remember taking and instantly loving.
I had been shooting a series with the Buddha statue in the woods near my house when I found this TV. Perfect or perfect?
